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Freddie Timms, Australian (1944 - 2017)Victory Hole, 1998 Natural earth pigments and synthetic binder on linen 150. 5 cm x 150 cm Signed, dated and titled verso: F Timms Victory Hole Provenance: Watters Gallery, Sydney, cat no. F. T. 46 The Lowenstein Collection, Melbourne Mossgreen Auctions, The Lowenstein Collection of Modern & Contemporary Australian Art, Melbourne, 07 03 2017, Lot No. 61 Private Collection Sydney Literature: Grishin, Sasha, Accounting for Taste: The Lowensteins Arts

His later style was further influenced by Yirawala

In my opinion

He taught younger artists of his region including his son

In that year

so the Goanna people dug down into this pebbly ground seeking water

with two major retrospective exhibitions overseas: the current exhibition at the Tate Modern (July 2025 to January 2026)

50cm x 50cm (irregular)

One such way of achieving this effect would be to visually cram a large ancestral figure within the edges of the bark

Emily painted for various agents

Private Collection Sydney

including the recent Emily Kam Kngwarray

Balang's use of rarrk marked a major turning point in bark painting