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OLIVER CURTIS: Volte-FaceAfterword by GEOFF DYER On visiting the Pyramids of Giza in Cairo in 2012, Oliver Curtis turned and looked back in the direction he had come from. What he saw fascinated him so much that he has since made a point of turning his back on some of world's most photographed monuments and historic sites, looking at their counter views and forgotten faces. Curtis comments, I found myself looking back in the direction I had arrived from, with the pyramid

For Stuart Freedman the eel and its decline is a metaphor of the cultural change that has enveloped the East End

are fascinated by the development of China

Paddy Summerfield does not offer the glamour of Deauville and Biarritz

natural light and long exposures

the old dream is still very much alive

He remembers photographing a blind woman

From 2001 – 2003 he worked as correspondent for the photo agency Contrasto in Moscow

He is represented by Dymchuk Gallery in Kiev and Focus agency

and neglect alternative explanations from spiritual and Indigenous beliefs

full on yet intimate at the same time

‘Albania could not afford to produce aeroplanes and missiles and so we built bunkers instead

he continues the exploration of this wide-open environment which he began with FARMED