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“Hustlers” by Philip-Lorca DiCorciaBetween 1990 and 1992, Philip Lorca diCorcia, funded by a National Endowment for the Arts fellowship, made multiple trips to Los Angeles to scout locations, invent scenarios, and ultimately find male prostitutes that would agree to pose for photographs. DiCorcia used his fellowship money to pay the men whatever price they charged for their most typical service, and ultimately prompted a complaint of misuse of government funds. The titles of these

I asked Bill

Bede’s photographic style weaves together these contrasts

Emerging from numbered changing cabins

For the original Molitor pool

but occasionally color is slipped into the sequence

Rather than — as portrait photography tends to aim for — familiarise us with what is shown

every church was a site of massacres

Spanning conflicts from Ukraine

desolate landscapes

Each day I would walk the streets without anyone making eye contact with me

a fast-food restaurant

Dolly Parton