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Bombay Lunatic Asylum - Mad Song LPa sonic journey to the roots of drone music, performed by Bombay Lunatic Asylum. The musicians behind this name are no others than Louise Landes Levi and Bart De Paepe. On Mad Song, they are joined by Koen Vandenhoudt, who also recorded the album. De Paepes harmonium and Vandenhoudts shruti box form the perfect backdrop for Levis melancholic, haunting sarangi melodies, slowly evolving and meandering over the albums thirtyfive minutes. On Mad Songs

according to the brief liner notes desirous to "remove itself from long and patient laboratory experiments "

Anticipation

Upon imagining a landscape

The financial district here is particularly sterile

Willem Breuker: tenor saxophone

‘A Summer Day at Stony Point’ was composed in 1969

The new established label Milder Wahn (a sublabel of Youdonthavetocallitmusic) offers a 2nd pressing of the album in an edition of 300 copies with a brand-new silkscreened cover artwork and two silkscreened inserts

There are traditional “songs” here

despite its static appearance and perhaps thanks to its slowness and the introspective quality of an equivalent nature for those who also wish to accept the invitation to introspection offered by said music

although a photo taken by Daidō Moriyama inside Tokyo's massive (and massively busy) Shinjuku railway station replaces the Dolphy's album's enigmatic "Will Be Back" sign

here towards more somber

” The quartet of Takayanagi (guitar)

Exchange/Return Notes