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Gone but not forgottenBased on an emptied children's sticker sheet, Gone but not forgotten sifts through the remnants of value, memory and loss. The colourful borders trace where stickers once were, while the bare, unprimed canvas marks their absence. The work attempts to speak for the ghosts and leftovers that remain after extraction. Inviting viewers to consider remainders not as waste, but as couriers of frail memory, past function and quiet resistance. As with much of

Compulsion speaks to trauma reenactment

part of a closed cycle of destruction and rebirth

Its vessel is destined to always be empty

Part One" is a collection of hand-painted

"Sacral Forest" blends Baroque layering with anatomical forms and the intuitive language of surrealism

The feathers and layered materials give the piece a three-dimensional

and wrists seen in non-secular medieval painting

reminiscent of light catching a sequin in areas

human thinking and decision-making

while also reflecting her later decision to emigrate to England in pursuit of education and career opportunities

hooked and hung for inspection

It can also be used to burn incense sticks and Palo Santo